The Studiolo of Duke. The return of Illustrious to the Court of Urbino

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Home / News / Felicien jersey plants Rops - The "Flower of Evil" is female. Video of the erotic drawings of his friend Baudelaire If you want to get free on your wall articles and essays by Art Style, click below "Like".
A drawing by Felicien Joseph Victor Rops (1833-1898). The Belgian artist connects sin with the temptations of the flesh of the woman, which are irresistible, and disclaims the symbol of the chimpanzee as happened in the distant past, when the monkey was considered part representation instinctual and primitive man
Félicien Joseph Victor Rops (1833-1898) was a painter, engraver and draftsman Belgian, who played sometimes with distressing sense, sometimes with disruptive subversive sexuality as a weapon of ordinary, everyday madness. Become a friend of Baudelaire, Rops breathed the world of values reversed proposed by French poet; truth values against the surface coverage of the bourgeois ethics; for this he recovers bully the Supreme fleur du mal, vagina, by measuring the falls of the world in front of it. He tells of a world in which the supreme petals of sin devastate jersey plants the social order, in what looks like a distant foreshadowing of sexual liberation, while inside a nineteenth-century jersey plants vision still charge the sense of sin, the ancient baroque jersey plants vanitas jersey plants and death. He can certainly be considered a precursor of surrealism, both in terms of tematiche- victory jersey plants of the dream, the nightmare, the Ex superego - and even for certain stylistic and technical solutions, jersey plants as shown by the drawings and paintings we shall see, some of which, like Pornographers, prefigure the genius of compatriot Magritte.
Rops was born in Namur in 1833, and attended the University of Brussels. Great designer, bought in a short time fame in Paris as a caricaturist. The meeting with Baudelaire jersey plants dates back to 1864, shortly before the death of the French writer, and Baudelaire himself left an indelible imprint in the soul of the artist, writing among other things, to Edouard Manet in 1865 of Rops considered as the only true Belgian artist among all who had known or heard about. For its part, Rops created the frontispiece for 'Les épaves' ('The wrecks'), a selection of poems from 'Les fleurs jersey plants du mal'. In 1892 the view of Rops began to decline, until death came at age 65, having never stopped producing works and maintain contacts with the intellectual world of the time.
The Studiolo of Duke. The return of Illustrious to the Court of Urbino
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